I am an anthropologist by profession, with an area specialty in Japan, although I have also pursued a parallel track as an artist working in paper collage, oils, watercolors, silkscreen, and ceramics. My artwork, like my scholarship, is informed by a “disciplined eclecticism.” I have an insatiable curiosity that extends to all forms of artistic and aesthetic expression but am especially influenced by contemporary Japanese printmakers and ceramicists.
My relationship with Japan is substantial and integral to my own identity. I was fortunate to have spent childhood and early teenage years in the Tokyo area, where my parents, both artists, raised me and my three siblings for a decade before returning to the United States. Altogether, I have lived in Japan for over twenty years and travel there a least once a year.
I majored in the history of art in preparation for a career in Asian art conservation and restoration, but I later decided to pursue an advanced degree in anthropology as my interests had shifted more to the cultural context and social production of art. My academic background and work are accessible at http://www.jenniferrobertson.info.
Each medium—watercolor, oil, paper collage, clay—offers me different modes of engagement. My watercolors initially spring from spontaneous, or at least less mediated, emotions and feelings, whereas my paper collages call for more craft-like deliberation. I most enjoy painting figures and “bodyscapes” in oil; I borrow compositional elements from Japanese prints but aim to develop a painterly technique. Clay offers a splendid tactility and a total immersion in three-dimensions at once. I continue to experiment with various shapes and surfaces. In all of my artistic work, I wish to create interesting forms and compositions that engage visually and interpretatively on several registers. The titles of some series and individual works may be confusing at first glance; many reference Japanese concepts and things (and I often include a translation), and others may be impressionistic, representational, ironic, humorous, and references to outside influences.
I am an Associate Member of the National Watercolor Society, a Signature Member of the Michigan Water Color Society, a Member of the Northwest Watercolor Society, a Member of Collage Artists of America and of the Potter’s Council.